Offerings to Placate the Dead

The days are getting shorter, the weather colder. Pumpkins are in abundance and grocery store shelves are brimming with packaged candy. Also to be expected are skeletons and ghosts, jack o lanterns, gravestones on people’s front lawns, ghoulish storefront windows, and, come Sunday, hoards of costumed kids roaming their neighborhoods in search of treats.

Halloween has been commercialized for so long that some youngsters may not know that this very American of holidays has cultural antecedents around the globe. For example, the ancient Celtic festival of the dead, Samhain, the Italian All Soul’s Day, the Japanese Festival of Lanterns, Obon, the Mexican Dias de los Muertos, and the Cambodian Ancestor’s Day, Pchum Ben. Common to all of these autumnal festivals is the belief that the souls of the departed return to the world of the living for a short period of time. All of them also involve offerings of food. Although Halloween takes place on the last day of October, and Obon in late August, the Cambodian Ancestors’ Day usually occurs in mid-September and lasts for a lunar cycle. The latter, a 15-day observance, is regarded by Cambodians as a time to commemorate and be reunited with deceased relatives. It is an especially important day for those with bad karma who have yet to be reincarnated and are trapped in the spirit world. 

Search the internet and this desciption by Vathany Say pops up from 2003 on the Khmer Institute website:  “Before sunrise on the morning of the Kann Ben [the 14 days leading up to Pchum Ben], special food is prepared for the ancestral spirits to enjoy. Favorite dishes of various flavors and colors are offered. They range from the simple and traditional nom ansom (sticky rice wrapped in banana leaves with assorted fillings) to the more elaborate and rich amok (steamed fish fillet marinated in a complex mix of spices and herbs).

As a gesture of kindness, the hosts also prepare bai ben (steamed sticky rice mixed with sesame seeds and then formed into balls) to be thrown into shaded areas about the temple grounds. This mixture is an offering to the hungry souls who have been forgotten or no longer have living relatives to make them offerings.”

This description of Cambodian foodways associated with Pchum Ben was written about contemporary practice in Cambodia, but it could easily apply to ritual practice here in the United States. Indeed, we observed just this sort of alimentary offering in the shaded area of the parking lot of the  Triratanaram Temple in North Chelmsford, Massachusetts. Founded in the 1990s, Triratanaram temple is home to Buddhist monks in the Merrimack Valley and is an important place of worship for the Cambodian community of Greater Lowell.

 

We had come to view the stupa which had been built for the Triratanaram Temple by Yary Livan and Samnang Khoeun.

But we had no idea that our visit on September 24 would coincide with Pchum Ben. Before entering the Temple, Maya Men, an employee of the temple, gave us a brief tour of the grounds. At the edge of the parking lot we noticed six plastic bowls filled with food and incense. Maya explained that today was a special celebration – Phum Ben – the end of a two-week ritual celebration memorializing the dead. Samnang notes, “It’s a celebration of our ancestors.” Maya adds, “It’s like Halloween. In our culture, we believe that the dead – we don’t know whether we go up or down. There are three levels to Hell. At this time of year, they let out all of the dead for 15 days. People who have committed a lot of sins, they cannot see the sun.”

“Like vampires?” I ask. “Yes. During this time, they let them out from the underworld, before sunrise. You call for them. The food is an offering to the dead – a way of placating them so they won’t cause you harm.” Indeed, these poor souls, known as Priad spirits, are said to fear light and can only recieve prayers, food, and be reunited with their living relatives during the darkest day of the lunar cycle, which is the day of Pchum Ben.

   

Maya explained that the monks only eat before noon. A breakfast and a lunch. We headed toward the Meditation Hall and could hear the chanting, which was amplified. Samnang explained that he would bow three times – once for the Buddha, once for the darma (the Buddha’s teachings) and once for the monks, but assured us that we did not have to, “If you don’t believe.”

Removing our shoes, we enter.  Inside are monks and nuns and laity, sitting on the carpeted floor facing the abbot, Venerable Sao Khon Dhamathero. Many of the women wear white blouses adorned with delicately embroidered white scarves. The chanting and prayers were loud. It was difficult to hear Maya and Samnang explain what was going on and what things meant. The sweet, pungent smell of incense filled the air. At the altar were several statues of Buddha besides the main marble one from Burma. Behind this large Buddha was a round disk emitting colored flashes of light. Below, an assortment of food and liquid offerings included cooked rice, mushrooms and coriander, bananas, a bottle of ginger ale, and a Starbucks Frappuccino coffee drink. A metal bowl was filled with 49 rice balls – symbolic of the 49 days the Buddha fasted before becoming enlightened. Honey-colored, shiny paper spires reached toward the sky.

     

The chanting and prayers ended soon after noon. We were invited to join everyone for lunch. We accepted, a bit embarrassed to be imposing. Everyone sat on the floor to eat, circling many bowls of various dishes – noodles, caramelized pork, vegetables, fried banana, banana leaf wrapped around bean paste and sticky rice, and soups. 

When we left, we were offered a goody bag of sorts – two large gold-colored shopping bags filled with what appeared to be donated food and supplies: a box of Yogi cereal, a huge bag of low-fat potato chips, flavored instant coffee, toothbrushes, toothpaste, Motrin, Dove soap, and a loaf of packaged bread. All items had been blessed by the abbot. Leaving with the overflowing bags was an uncanny reminder of trick or treating, but with a Cambodian twist.

All photos by Maggie Holtzberg, 2010.

Working Waterfront Festival: Come Celebrate America’s Oldest Industry

Great weather and great programming! We suggest heading down to New Bedford this weekend for the 7th annual Working Waterfront Festival. This year’s theme is All in One Boat: the Cultural Mosaic of New England’s Working Ports

In addition to the focus on cultural diversisty, the festival programming speaks to the common challenges facing fishing communities around the globe, especially in light of recent changes in fisheries management. Come enjoy live maritime and ethnic music, listen to tales from Cape Verdean Longshoremen, try your hand at mending a fishing net, watch a coast guard rescue demonstration, walk the decks of a scalloper, eat fresh seafood, and immerse yourself in an insider’s view of the local industry that brings seafood from the ocean to your plate.

We are happy to see that retired fisherman, Marco Randazzo, who we met years ago in Gloucester, will be demonstrating his knot tying and rope sculptures on Sunday.

Marco Randazzo with some his rope sculptures. Photo by Scott Alarik, 2000.
Marco Randazzo with some his rope sculptures. Photo by Scott Alarik, 2000.

Homemade musical instruments

Sharing a tent at this summer’s Lowell Folk Festival, Eric Royer and Robbie Phillips demonstrated their hand made musical instruments as part of the “Crafting Sound” crafts area.

Eric Royer invented the guitar machine in 1994 while living in Arizona, where he found it  difficult to find other musicians to play traditional bluegrass and old-time country music. Eric’s guitar machine features foot-controlled bass and acoustic guitars suspended on a copper pipe frame. Metal can be found in the banjo, resonator guitar (dobro), harmonica, and kazoo. Pedals use mechanical action to cause different effects; capos go up and down, strings are plucked, a golf ball hits the cowbell, and the “Pretty Polly” doll dances.

“Washtub Robbie” Phillips is known for his creation of odd and fanciful musical instruments. The majority of them are mono-chord (single string) instruments called diddley bows. Typically played with a slide, the diddley bow is ideal for improvising.

 

Robbie got started making instruments years ago when he was dissatisfied with the sound of the washtub bass he was playing and decided to make his own.  He uses recycled materials – pieces of old furniture, blocks of discarded wood, car parts, and left-over paint. The colorful instruments have a unique finish to them. After a base coat of paint, Robbie applies Elmer’s glue over the surface. Before the glue dries, he sprays latex paint, which shrinks upon drying, creating a crackled surface.

Changes Afoot …

  

As the Folk Arts and Heritage Program begins its 12th year at the Massachusetts Cultural Council, we are excited to tell you about some changes. Through a unique partnership with Lowell National Historical Park (LNHP), state folklorist Maggie Holtzberg has been temporarily assigned to the Park to support the development and expansion of traditional arts programming serving the public. We will continue our work in running a vital state folk arts program — doing field research, maintaining an archive, database, and website, and providing grants to individual artists. This new endeavor is an exciting opportunity to explore cross-cultural understanding within in the context of a National Park based on ethnic heritage, occupational folklore, immigration, and industrial history.  

  

The goal is to engage visitors and more of the region’s immigrant and ethnic populations by offering a robust variety of culturally-relevant public programs at the Park year-round. Though the MCC Folk Arts and Heritage Program has worked with the Lowell Folk Festival for over a decade (providing potential crafts artists and musicians, emceeing on stages, etc.) we will be more actively involved in the planning and presentation of folk arts than ever before. This summer, look for “Folk Craft and Foodways” in Lucy Larcom Park where we will showcase some of the extra-musical aspects of traditional folk culture.

The plan is to build on the energy of the festival — the high-quality, traditional arts performances that are the hallmark of the Lowell Folk Festival — and offer similar experiences throughout the year. Special exhibits and interactive presentations of craft, foodways, performing, and expressive traditions will be developed based on both previous and new folklife field research within the region’s many diverse communities. There is even the possibility of re-establishing a folklife center at the Park.

 Keep your eye on this blog for further postings from Lowell . . .

Fishermen and Farmers Find Common Ground at Working Waterfront Festival

Great weather and great programming! We suggest heading down to New Bedford this weekend for the Working Waterfront Festival. If you haven’t guessed, this year’s theme is surf and turf. In promoting the festival, organizers point out that “Fishermen and farmers share a deep knowledge of, reverence for and dependence upon the natural world. Both groups pass traditional skills and knowledge from one generation to the next, often incorporating new technologies alongside traditional practices. And both communities face many of the same economic, environmental and political challenges.”

In addition to live maritime and ethnic music, there will be an open air market featuring local produce and fresh seafood and cooking demonstrations, occupational demonstrations of fishing and farming skills, tours of fishing boats, author readings, and kid’s activities.

Banjo and Fiddle Contest in its 30th year

This Saturday, September 12 marks the 30th Lowell Banjo and Fiddle Contest at Lowell National Historic Park. Whether you are an accomplished musician planning on entering the competition, or you come to experience the music-making as an observer, this annual event promises to be entertaining. In addition to the performing contestants, some great music will undoubtedly take place in informal practice/jam sessions behind the stage and along the perimeter of Boarding House Park. Cash prizes and trophies will be awarded but contestants must follow these rules.

Lowell Folk Festival is the place to be next weekend

Photo by Marianne Nika, 2008
Photo by Marianne Nika, 2008

This year’s Lowell Folk Festival promises to be a blast. You may already know that this event is one of the best curated folk festivals in the country — and it is free! On the last weekend in July, the whole city of Lowell morphs into one large celebration of top quality traditional music, folk craft, ethnic cuisine, and community spirit.

Among the music and dance traditions you will experience are Irish polkas and slides, Western Swing, Klezmer, Brazilian capoeira, an a capella gospel quartet, Quebecois dance tunes, Zydeco, Puerto Rican jibaro music, Tuvan throat singing, and a New Orleans brass band. Massachusetts performers include Boston Banghra, Grupo Canela, ekonting player Sana Ndiaye, the Eddie Forman Orchestera, and Branches Steel Orchestra. Fourteen Bay state artists will be demonstrating in the heritage crafts area, the majority of which were featured in Keepers of Tradition: Art and Folk Heritage in Massachusetts.

Hope to see you there!

Get out the sunscreen . . . and your camera

Festival season is in high gear. Massachusetts abounds with the movements, colors, and sounds of traditional music, dance, and festive celebrations. Cultural pride is on display. Our two interns, Signe Porteshawver and Ellen Arnstein have been attending and documenting festivals throughout the Commonwealth since June. We are processing their fieldwork and adding content to the Celebrations theme of our website. New entries include the Albanian Festival in Worcester, the Lowell African Festival, Saint Peter’s Fiesta in Gloucester, and HONK! We are also mining past fieldwork and adding festivals previously documented to the site. Below are some images attesting to the enormous amount of energy, resources, and artistry people devote to sharing their culture with insiders and outsiders alike.

Interns help document Massachusetts festivals

I’m delighted to have two energetic interns working with me this summer. Ellen Arnstein is on the verge of completing the BFA program at the School of the Museum of Fine Arts and Signe Porteshawver is entering her junior year at Tufts University. Since late May they have been researching and working on compiling a comprehensive list of ethnic, folk, and agricultural festivals in Massachusetts. In addition to attending and documenting selected festivals, they are also adding their fieldwork findings to the “Celebrations” theme of our website. Below is their first guest blog post:

Every other year, St. Mary’s Assumption Albanian Orthodox Church in Worcester hosts one of the area’s largest Albanian festivals. Over a three-day weekend in mid June, St. Mary’s welcomed many of the areas 15,000 plus Albanian residents, as well as many other visitors from within and beyond the state. As interns for the Folk Arts and Heritage program, we came across the Albanian Festival in our research of Massachusetts’ public celebrations. We had the pleasure of attending this year’s festival as both visitors and fieldworkers, along with over 20,000 other attendees, taking in various aspects of Albanian culture. Along with other festival-goers, we enjoyed homemade traditional Albanian food – including some delicious leek pie and some smoky lamb kebab – while listening to traditional and contemporary Albanian music spun by recent Albanian immigrants, DJ Andrea and DJ JT.

One of the most exciting parts of the day was watching the folklore dance troupe, comprised solely of young congregation members, who choreograph traditional Albanian dances to perform at the festival every other year. The festivities all took place outside of the beautiful St. Mary’s Orthodox Church, whose walls are covered in magnificent icons written by Albanian iconographer Dhmitiri Cika.

We’re excited to be working with Maggie Holtzberg and everyone else at the MCC, and look forward to occasionally sharing our work as guest bloggers on this blog. When we’re not attending festivals around the state, we’re researching and compiling an annotated list of all public celebrations in MA that we can find, working towards a comprehensive festival listing for the state, and to add to the MCC and MOTT’s Worldfest. Please check out our ever- updated Google Calendar – and be sure to let us know what we’re missing!

Worldfest – the place to locate summer cultural/ethnic festivals in Massachusetts

Massachusetts WorldFest is back, and we want you to participate!

For the second straight year, the MCC and Massachusetts Office of Travel and Tourism (MOTT) have launched Worldfest, a comprehensive online listing of the rich and diverse array of ethnic and cultural festivals across Massachusetts from June through September. We again plan a summer marketing campaign to drive visitors from across New England to these events.

Worldfest includes festivals large and small, in cities and towns from Boston to the Berkshires, from Cape Ann to Cape Cod. The website includes a search engine that allows visitors to search by region, name of event and/or date.

Worldfest‘s only criteria are that participating festivals represent communities or groups of communities within Massachusetts that share a common ethnic or artistic heritage or way of life. Massachusetts is home to a host of such groups, ranging from longstanding communities from Native America and Europe to newcomers from Latin America, Africa, and Asia. Each of these, and many others, showcase vital cultural traditions through their public fairs and festivals, which deserve recognition and support.

If you would like your festival to be included, please submit this form. These listings are provided at no cost.

For more information, please contact John Alzapiedi at MOTT: john.alzapiedi@state.ma.us or 617-973-8509

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