Archive for the ‘world music’ Category

Six New Apprenticeships Funded by MCC

Monday, August 25th, 2014

We are delighted to announce this year’s Traditional Arts Apprenticeship grants. The following six traditional art forms will be taught by master artists to their apprentices: Irish uilleann pipe playing, South Indian carnatic singing, sign painting and gold leaf, ornamental and architectural wood carving, North Indian Madhubani painting, and South Indian carnatic drumming.

Irish uilleann pipe playing: Joey Abarta, master artist and Caroline O’Shea, apprentice

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South Indian carnatic singing: Tara Anand Bangalore, master artist and Pratik Bharadwaj, apprentice

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Sign painting and gold leaf: Josh Luke of Best Dressed Signs, master artist and Corinna D’Schoto, apprentice

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Ornamental and architectural wood carving: Dimitrios Klitsas, master artist and Spiro Klitsas, apprentice

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North Indian Madhubani painting: Sunanda Sahay, master artist and Sanjana Krishna, apprentice

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South Indian carnatic drumming on mridangam: Gaurishankar Chandrashankar, master artist and Kaasinath Balagurunath, apprentice

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Apprenticeships are a long-standing method by which an individual learns skills, techniques, and artistry under the guidance of a recognized master. Applicants were reviewed by a panel of experts who evaluated the artistry of the master artist, skill level of the apprentice, rarity of art form, significance of the tradition,  appropriateness of the pairing, and work plan. Grantees are expected to offer a community presentation at the end of their 9-month long apprenticeship.

To see a list of all MCC-funded apprenticeships since 2002, click here.

MCC announces Artist Fellowships in the Traditional Arts

Thursday, February 6th, 2014

MCC is delighted to announce the 2014 Artist Fellowships in the Traditional Arts. Two artists will receive  fellowships in the amount of $10,000 and four artists will receive $500 finalist awards. For more information on MCC Artist Fellowships, look here.

ARTIST FELLOWS:

Elizabeth James Perry, Wampanoag weaving and wampum

Hand woven sash by Elizabeth James Perry

Elizabeth James Perry, (Wampanoag Tribe of Gay Head) is a fiber artist whose work reflects time-honored Wampanoag materials, techniques, and aesthetics. A scholar of Northeastern wampum and indigenous fiber arts, her work focuses on early contact-period Northeastern Woodlands Algonquian material culture, which features woven regalia (twining, weft weaving), natural dyes, and wampum adornment. She has been the recipient of a New England for the Arts grant (NEFA) and served as a master artist in the Southern New England Traditional Arts Apprenticeship Program.

Selected exhibitions include the Peabody Essex Museum, Salem, MA; Mashantucket Pequot Museum & Research Center, Mashantucket, CT; National Seashores Salt Pond Visitor Center, Eastham, MA; The Boston Children’s Museum, Boston, MA; Aquinnah Cultural Center, Martha’s Vineyard, MA; and Roger Williams University, Bristol RI.

Jimmy Noonan, Irish flute and tin whistle playing

Jimmy Noonan at Boston College Jan 23 2014. Photo: Paul Wells

Jimmy Noonan is an Irish flute and tin whistle player who grew up steeped in the traditional music of County Clare, Ireland. He learned from traditional musicians who, as he says, were “the pillars of their society, playing for weddings, funerals and political events; their importance was immense.” Dedicated to passing on the tradition, Noonan has run his own music schools in Cleveland and Boston. National Heritage Fellow Seamus Connolly invited Noonan to teach at Boston College, where he has been an adjunct professor in the music department since 1996. In addition, he has taught at many of the premier Irish Music Summer Schools in the country including Gaelic Roots, Catskills Irish Arts Week, and Milwaukee Irish Fest.  Selected recordings include The Maple Leaf: Irish Traditional Music from Boston and The Clare Connection.

FINALISTS:

Thomas Matsuda, Japanese Buddhist woodcarving

Thomas Matsuda at Lowell Folk Festival 2014. Photo: Greg Cook

Japanese monks inspired Thomas Matsuda to study his art in Japan. He apprenticed under one of the leading classical Buddhist sculptors in Japan, Koukei Eri. Masuda went on to develop his own distinct style, while living in a remote Japanese mountain village, where he carved more than two hundred sculptures for temples, shrines, and patrons. A decade later, Matsuda returned to the Massachusetts, where he continues to carve Buddhist sculpture and to teach. Influenced by the rough-hewn rustic style of Enku, Matsuda’s works, rendered in stone and wood, can be found displayed among leading Buddhist centers and temples.  Selected commissions include a 7-ton marble Buddha for the Grafton Peace Pagoda in Grafton, NY and Budda’s Feet for the Leverett Peace Pagoda in Leverett, MA.  He has demonstrated woodcarving at several Lowell Folk Festivals.

Daphne Board, Custom shoemaking

Hand made shoes by Daphne Board

Cordwainer Daphne Board makes made-to-measure, custom built shoes and boots using wooden or plastic lasts.  She learned her cordwaining skills through an apprenticeship with a shoemaker in Nova Scotia, who himself had learned from an Italian shoemaker. Since then, she has set up own shop in Holyoke. Board is a member of the Honorable Cordwainers Company. She relies on a small community of shoe and bootmakers for advice, locating leather suppliers, and continuing to learn traditional techniques.  In addition to her stunning leather work and keen eye for color, Daphne Board is on her way to becoming a certified pedorthist, someone skilled in making orthotics and treating foot problems. “I’m interested in not only making beautiful shoes, but shoes for people who cannot wear factory made, stand-sized shoes.” Board served as a master artist in 2013 Southern New England Traditional Arts Program and was a craft artist at 2012 Lowell Folk Festival, Lowell, MA.

Vincent Crotty, European sign craft

Cumann na nGaeilge sign by Vincent Crotty

For the past 23 years, Vincent Crotty has been making hand-painted signs created using old-world techniques like wood-graining, marbleizing, freehand lettering, and pictorial designs. Traditional sign craft, a skill that has almost been obliterated by computer graphics, is an art form that has been handed down from father to son, master to apprentice, for centuries. Born in Ireland, Crotty learned his craft in his 20s, at a trade school called Fas, where his teachers had learned through the old-world guild system. Tools of the trade include sign quills and special sable hair brushes; materials include sign enamels, gold leaf, varnish, and shellac.

Crotty’s work can be found on neighborhood storefront signage throughout Boston, local churches, pubs, and on signage for Irish music festivals around the country. Selected commissions include The Irish Cultural Centre, Canton, MA; Irish Arts Week, East Durham, NY; Codman Academy, Dorchester, MA; St. Mark’s, St. Ambrose, St. Margaret’s, St. Peter’s, and St. Ann’s, Dorchester, MA; St. Ann’s, Quincy, MA.

Mal Barsamian, Armenian and Middle Eastern music

Malcolm Barsamian on saxophone

Multi-instrumentalist Malcolm Barsamian grew up in a household rich in Middle Eastern music. He comes from a family of oud players starting from his grandfather, his father, his great-uncle, and uncle. His father, Leo, had four-year-old Malcolm sitting in on dumbeg at Armenian picnics. As a youngster, Barsamian listened to old recordings of Armenian and Middle Eastern Masters, picking up the ability to improvise. Classical training enhanced his musical skills and his ability to perform Armenian and Middle Eastern music.

He has gone on to become a sought-after player of the oud and dumbeg, as well as instruments such as clarinet, guitar, and saxophone, performing in the Armenian and Greek communities for over thirty years. Barsamian is well schooled in the underlying theory of Turkish classical music, and related music of the Middle East, Armenia, and the Balkan countries. In addition to teaching, Barsamian plays regular for concerts, community events, weddings, and festivals concerts, reinvigorating and preserving the music of his Armenian heritage. Selected performances include the Armenian Festival, Watertown, MA; Armenian Festival, 2008; Birmingham, MI; Lowell Folk Festival, 2012, Lowell, MA; The St. Athanasius Greek Orthodox Church, Arlington, MA;Tufts University, 2010, Medford, MA; and The African Museum,2013, Detroit, MI. Barsamian recorded One Take: Armenian Dance Songs in 2005.

 

 

 

 

History of Dance in Cambodia

Thursday, November 14th, 2013

Buppha Devi

Journey from 1965 Cambodia to present-day Lowell and experience the transformation of an art form, once almost lost. Our next Lowell Folklife Series takes place on November 19, 2013 at the Visitor Center at Lowell National Historical Park. We begin by screening a 1965 documentary portraying the Royal Ballet of Cambodia. At the time of filming, the ballet performed exclusively for the elite and was patronized by the queen of Cambodia.

Photo of Reamker dance

Scenes show royal dancers being trained, masks and costumes being made, rehearsals, and the indoctrination of novices into the service of dance. Among several pieces portrayed in the film is the Apsara Dance, which features a special performance by Princess Bupphadevi.

Following the screening November 19th, audience members will be treated to a live performance by members of Angkor Dance Troupe. This screening is the first in the “Evolution of Cambodian Dance Film Series” presented by Angkor Dance Troupe.

6:00 p.m.   Welcome & introduction

6:15 p.m.    Film Screening

7:45 p.m.    Live dance performance

Come join us. The event is free and open to the public.  For information about Teacher Professional Development Points, contact the Tsongas Industrial History Center: TIHC@uml.edu

Watch Live webcast of National Heritage Fellows Concert

Tuesday, September 10th, 2013

We are coming up on the last week of September, which means it’s time for the annual feting of our country’s National Heritage Fellows. This year’s fellows include former Massachusett’s resident and Irish fiddler extraordinaire, Seamus Connolly.

The National Council for Traditional Arts and the National Endowment for the Arts produce a spectacular evening performance September 27th at Lisner Auditorium on the George Washington University campus. Fortunately, for those unable to attend the concert, the event will be live streamed at arts.gov,  with an archive available following the event. Viewers can share comments and photos on
Twitter using the hashtag #NEAHeritage. You may also request copies of
the concert program by emailing heritage@arts.gov.

Latin Music & Dance Night with Alexander & his Quinteto

Monday, February 11th, 2013

Bachata, both a genre of music and a type of dance, originated in the Dominican Republic during the early parts of the last century, later spreading to other parts of Latin American and Mediterranean Europe.

In its early days, bachata was unofficially banned from radio play and concert halls by those in power. Eventually, bachata’s popularity could not be denied. Come find out why at the next Lowell Folklife Series event.

Time: Saturday February 23, 2013

7:00 p.m. dance lesson; 8:00 p.m. live music

Place:  The Counting House, 2nd Floor, Boott Cotton Mills Museum

115 John Street, Lowell, MA 01852

Learn the basics of bachata and merengue dance of the Dominican Republic with National Park Ranger Victor Medina. Then listen and dance to the music of Alexander el Cantante and his Quinteto. Born in Venezula, Alexander Faria began singing and performing as a child. He came to Boston in 1995 and has been active in the Latin music scene ever since.

Seating will be provided, however ample space will be left open for dancing.

Return of the Lowell Folklife Series

Friday, January 25th, 2013

We’re delighted to announce the 2013 Winter/Spring season of the Lowell Folklife Series. These free public events featuring craft, music, dance, & foodways traditions are presented by Lowell Lowell National Historical Park in partnership with the Massachusetts Cultural Council. See full schedule here.

Noodling: The Art of Chinese Hand-Pulled Noodles with Chef Gene Wu (watch video)
Place: Event Center @ Boott Cotton Mill, 115 John Street, Lowell, MA
Monday January 28, 2013 @ 7:30 p.m.

 

 

 

 

Latin Dance Night with Alexander Faria & el Quinteto: Dance lesson @ 7:00; live music @ 8:00
Counting House @ Boott Cotton Mill, 115 John St., Lowell, MA
Saturday February 23, 2013 @ 7:00 p.m.

 

 

 

Women’s Singing Traditions: Veronica Robles & her Mariachi

Visitor Center Theater, 246 Market Street, Lowell, MA
Saturday March 23, 2013 @ 7:30 p.m.

 

 

 

Model Making: Ship Models & Pipe Organs with Harold A. Burnham, Erik Ronnberg, Jr., & Greg Bover

Visitor Center Theater, 246 Market Street, Lowell, MA
Sunday April 21, 2013 @ 3:00 p.m.

 

 

All in the Family: Learning from Master Musicians with Balla and Sekou Kouyate on West African Balafons & Sixto “Tito” Ayala and Estefany Navarro on Puerto Rican Congas

Visitor Center Theater, 246 Market Street, Lowell, MA 01852
Sunday, May 19, 2013 @ 2:30 p.m.

For more information click here
Questions? Call Maggie at 978-275-1719

Next Lowell Folklife Series features RUMBAFRICA

Wednesday, June 6th, 2012

The Lowell Folklife Series  is pleased to support the headliner band, Rumbafrica at the 2012 African Festival in Lowell, MA. The festival takes place Saturday June 16, 2012 at the Sampas Pavillion along Pawtucket Boulevard. Rumbafrica is led by Congolese guitarist/singer Tshibangu Kadima. They play a rumba dance music called Soukous (derived from the French word meaning “to shake”), which originated in the 1930s. The group features a variety of African percussion and several dancers.  They will  be performing sets at 2:00 pm, 4:00 pm, and 6:00 pm.

In addition to live music and dance performances throughout the day, there will be traditional African crafts and food. Below are some photos from our visit to the festival in 2009

African Festival, Ethnic festival, 2009; African Festival of Lowell; Lowell, Massachusetts; Photography by Signe Porteshawver

Drummer in Mamadou Diop band; Ethnic festival; 2009:

Young boys in African Festival t-shirts; Ethnic festival; 2009: Lowell, Massachusetts

Woman selling African fabrics; Ethnic festival; 2009: Lowell, Masachusetts

Festival photos taken by Signe Porteshawver for the Folk Arts & Heritage Program at Massachusetts Cultural Council.

Sophia Bilides sings Smyrneika

Wednesday, March 21st, 2012

Sophia Bilides. Photo by Valerie Catrow, 2009.

We have been trying to get this superb singer to the Lowell Folk Festival for many years, but she has always been away in Greece during the festival. Not only will Sophia Bilides be appearing at this summer’s folk festival, she and her trio will be performing for the Lowell Folklife Series, in an 8:00 p.m.  concert this Saturday, March 24th.

Sophia Bilides is considered the “foremost practitioner of the Greek singing style known as Smyrneika” (Boston Globe), the cabaret song tradition of the Greek Asia Minor refugees of the 1930s and ‘40s. She accompanies herself on santouri (the Greek hammered dulcimer) and zilia (finger cymbals), backed by master musicians Mal Barsamian on outi (oud) and kythara (guitar), and Mike Gregian on doumbeleki (hand drum). Although many in Lowell’s Greek community won’t need it, Bilides  provides translations and song contexts to help bring audiences into the intimate atmosphere of an Anatolian cafe-aman. Song lyrics, which are set to richly intricate melodies, Middle Eastern modes, and sensual rhythms, voice the universal themes of nostalgia for lost homelands, endurance, love in all its guises, and the celebration of life.

Consider joining us as we celebrate Women’s History Month and Greek Independence Day by attending this free concert on March 24th in the Visitor Center of Lowell National Historical Park. No reservations required.

Afro Caribbean Workshop today!

Friday, February 24th, 2012

Jorge Arce performs twice today at Lowell National Historical Park.  At 3:00 pm, Arce gives an Afro Caribbean workshop as part of the park’s Kids’ Week activities.  Tis evening at 7:00 p.m., he performs for the Lowell Folklife Series in the Visitor Center theatre.

Expect an interactive experience featuring music, dance, lore, and stories steeped in the African ancestry of Puerto Rican culture. Try your hand with a Puerto Rican percussion instrument. Learn how to move to the beats of bomba and plena. Be surprised by two carnival masqueraders wearing typcial vejigante masks of the season.

 

Traditional Arts Fellows and Finalists, a Diverse Group

Wednesday, February 15th, 2012
Every other year, the Massachusetts Cultural Council awards Artist Fellowships in the traditional arts, recognizing individuals for their artistic excellence, authenticity, and deep roots in traditional culture. Among the awardees this year is Irish-American button-accordion player Joe Derrane (Randolph, MA), who is also a National Heritage Fellow.
JOE DERRANE, Irish American accordion player

Joe Derrane is a living legend in the Irish traditional music community. Born in  Boston to Irish immigrant parents, Derrane developed an early affinity for the button accordion and Irish traditional music. At age 14, he was playing regularly in the ballroom dance scene that was booming in the Dudley Street section of Roxbury. At age 17, Derrane recorded the first in a series of 78-rpm recordings, which have since become legendary in the Irish music world. Decades later, Derrane’s musicianship is marked by his unique ornamentation, vigor, and flawless execution.  In addition to his virtuosity on the button box, Derrane is known for his tune compositions, many of which have entered the repertoire of Irish musicians on both sides of the Atlantic.

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YARY LIVAN, Cambodian ceramicist

An MCC Artist Fellowship also went to Yary Livan (Lowell, MA), master of traditional Cambodian ceramics and kiln building. His work draws on the rich heritage of Cambodian culture, including influences from ancient imperial Khmer kiln sites, such as Angkor Wat, and incorporates Khmer imagery, relief carving, and design. Livan recently served as master artist in MCC’s Traditional Arts Apprenticeship Program, passing on what he knows of kbach, the basic element of design in Khmer art, to apprentice Samnang Khoeun. The two are building a smokeless wood-burning kiln on the grounds of Lowell National Historical Park.

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In addition to these two Artist Fellowships in the Traditional Arts, four Finalist awards were announced.

VERÓNICA ROBLES, Mariachi musician

Verónica Robles has Mariachi music in her blood. “I first learned the traditoinal music of my home country, Mexicao, from my grandmother, whom I would spend hours with in the kitchen as she prepared dishes such as chicharron prensado, con calabazas, elote y nopales.  .  . ” It was in Mexico City’s Plaza Garibaldi, the cradle of Mariachi music, where Verónica was introduced to the Mariachi group led by El Chiquis. She began working with his group at age 15, learning hundreds of songs and musical styles. Robles has made Massachusetts home since 2000, where she specializes in performing for young audiences through school assembles, residencies and dance workshops. Her television show, Orale con Verónica, has been on the air since 2002.

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KHENPO CHOPEL, Tibetan torma maker

Khenpo Chopel was born in Tibet and became a monk at the age of 14. Holding the title of “khenpo” (a spiritual degree given after three years of intensive study in Tibetan Buddhism), Chopel is a master torma  maker and tantric practitioner.  Tormas (pictured above) are a traditional art form essential for everyday practice in Tibetan Buddhist monasteries and households. These ritual forms — in conical shapes of bright colors — are made both as an offering to a deity and as a representation of a deity.  Since 2009, Chopel has been living at the Drikung Meditation Center in Arlington, Massachusetts, where he serves as a master torma-maker and tantric practitioner.

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JORGE ARCE, Afro Caribbean percussionist and educator

Jorge Arce grew up in the Bélgica, a working class neighborhood of Ponce, Puerto Rico. Ponce is known as the wellspring of bomba, plena, and danza, traditional Afro Caribbean styles of music and dance. Born into a family of dancers and singers, Arce grew up with Plena folk groups and musicians.  Arce credits Don Rafael Cepda and family with expanding his knowledge of bomba. In addition to his life-long work in Bomba and Plena, Arce is an experienced actor, dancer, and cultural historian. He is considered an expert on the history of Puerto Rican’s African people and their descendants. Touring the United States since 1975 as a musician and educator, Arce continues to give workshops, lectures, residencies and performances at schools, festivals, and community organizations.

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DANNY MEKONNEN, Ethiopian American musician

By the time he was an accomplished saxophonist, Danny Mekonnen sought out master Ethiopian musicians to learn to play the traditional instruments of his Ethiopian heritage. In 2006, Mekonnen founded Debo Band, an Ethiopian music collective melding traditional East African polyrhythms, American soul and funk, and the layered instrumentation of Eastern European brass bands, to form a sound that is a jubilant reinvention of music that once rocked Ethiopia’s capital, Addis Ababa. He also performs for events within the Ethiopian community, such as weddings and adoption community gatherings for American parents of Ethiopian children.


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