We first nominated Harold A. Burnham for a National Heritage Award back in 2001. This year’s fellows have just been announced and we are delighted to see Harold among those receiving the nation’s highest honor in the folk and traditional arts. Having built a number of timber-framed schooners, Burnham holds true to traditional materials and techniques. Using hand tools familiar to a nineteenth-century shipwright, he works out-of-doors through New England winters, and launches vessels the old way using wedges, grease, and gravity.
Burnham has essentially revived a once dormant shipbuilding technique and in doing so has reconnected the town of Essex to its own shipbuilding heritage. He credits place as much as family legacy for enabling him to do what he does, “. . . it’s hard to imagine a place on earth where shipbuilding is more deeply embroidered into the fabric of the community.”
For more info on this year’s National Heritage Fellows, click here.
At first glance, this year’s two fellowships in the traditional arts seem a study in contrasts. One represents an age-old Yankee craft; the other, an ancient West African musical tradition. Yet wooden boat builder Harold A. Burnham and Malian balaphon player Balla Kouyaté share something in common. Each individual is carrying on a traditional art form passed on through his own family lineage. Harold A. Burnham’s boat building ancestors arrived in Essex, Massachusetts nearly 400 years ago. Balla Kouyaté, who came to the United States just a decade ago, was born into a musical family whose artistic lineage dates back 800 years. And their traditions are stronger for it.
In addition to performing in concert halls and clubs, Balla is ever present playing at weddings, baptisms, and other domestic ceremonies within the West African immigrant communities of Boston, New York City, and beyond. As for Harold Burnham, he has essentially revived a once dormant shipbuilding technique, and in doing so, has reconnected a town to its own shipbuilding heritage. More than a revivalist serving a small market of weathy buyers who romanticize the past, he is an innovative craftsman working fully within the local wooden boatbuilding tradition.
The MCC has also granted finalist awards in the traditional arts to the following individuals:
Sunanda Sahay specializes in a style of folk painting originating in the Madhubani region of North India.
Sophia Bilides is a master performer of Smyneika, a heartfelt and highly ornamented singing style of Greek Asia Minor heritage.
Ivelisse Pabon de Landron makes traditional Puerto Rican black dolls as a way of honoring her ancestors — Puerto Rican women of African descent and their contribution to cultural history.
Sridevi Ajai Thirumalai is an acclaimed Bharathanatyam dancer and founder of the Natyamani School of Dance.
The next deadline for Artist Fellowships in the Traditional Arts will be Fall 2011.
Ever wonder how shipwrights with little or no drafting skills designed large sailing vessels, like the one pictured above? A key tool was the half-hull model and it is still used today. It’s basically a model that, once perfected, can be taken apart and used to draw full-scale lines on the lofting floor.
Come hear wooden boat builder Harold A. Burnham explain this tradition which developed in Essex shipyards over 200 years ago. Burnham will be giving an artist demonstration Saturday November 22 from 1:00 ;.m. to 3:00 p.m. at the National Heritage Museum. (Free event)