“Hiding in Plain Sight” Concert Brings the World to Rockport

Despite gale force winds and rain on Mothers’ Day, the show went on. And what a show it was! We were delighted to have the opportunity to showcase a sampling of our state’s traditional artists to perform at one of the country’s most stunning concert halls — the Shalin Liu Performance Center in Rockport, Massachusetts. Performers were either past or current recipients of an Mass Cultural Council Artist Fellowship or Traditional Arts Apprenticeship. We’re happy to share some images shot by photographer Brendan Mercure.

No fewer that 20 members of Lawrence’s Asociación Carnavalesca de Massachusetts opened the show by processioning from the back of the hall, down the aisles and up onto the stage.

Mass Cultural Council executive director Anita Walker gave a warm welcome to all in attendance, pointing out the richness of hidden treasures we have in the Commonwealth, many of whom have come here as immigrants.

 

I followed her by introducing our South Indian Carnatic musicians, which included two master artists, Tara Anand Bangalore and Gaurish Chandrashekhar, and three apprentices, Sudarshan Thirumalai, Pratik Bharadwadj, and Kaasinath Balagurunath. A purely musical segment was followed by Bharatanatyam dancer Sridevi Thirumalai.

The second half of the show opened with a beautiful set of Irish music by Joey Abarta, Matt and Shannon Heaton, and sean nos dancer Kieran Jordan.

 

 

 

 

 

 

 

 

 

 

 

 

We closed the concert with West African music and dance led by virtuoso balafon player Balla Kouyaté and master drummer/dancer Sidi “Joh” Camara. Both are considered hereditary artists, meaning they were born into the tradition.

  

Joining them on the stage was the next generation — Tiemoko Camara and Jossira and Sekou Balla Kouyaté — all of whom show great promise in carrying the traditions forward.

 

Balla stood up to invite audience members to join them on stage to dance.

Jossira helped by stepping down off the stage and reaching out her hand, encouraging people to join her. It worked – even 18-month old Maiya Camara got into the act.

Then it was time for a final bow. One of the magical things that happens when you bring musicians together from different world traditions is that they soon find common ground. This often happens back stage, behind the scenes. As one of our stage managers Sara Glidden pointed out, “All of you in the audience missed one of the highlights – the Indian musicians in the green room, jamming along to the video/audio feed of the Irish musicians on stage.”

Postscript: This email from leader of the Dominican masqueraders Stelvyn Mirabal gets to the heart of what our work as folklorists is all about. “I was received like a hero at my work on Monday. My Human Resources boss was at the show on Sunday and she didn’t know I was involved in the event until she saw me there. She took some pictures and posted in the company website. Then everyone was congratulating me for the show. She loved it!! Thanks again for thinking of us for your show.”

Talk about “hiding in plain sight”!

Maggie Holtzberg manages the Folk Arts & Heritage Program at the Mass Cultural Council.

 

 

HIDING IN PLAIN SIGHT: Folk Masters of Massachusetts Showcase Concert

We are excited to announce a May 14  showcase concert featuring the excellence and diversity of music and dance traditions thriving in Massachusetts today. Performers are past or current recipients of an Artist Fellowship or Traditional Arts Apprenticeship, prestigious awards granted by the Massachusetts Cultural Council.

Come experience a Dominican carnival procession led by Stelvyn  Mirabal, then be enthralled by leading exponents of South Indian vocals, violin, and percussion, Irish flute, uilleann pipe and old style step dance, and West African balafon (xylophone), djembe drum, and ceremonial dance. The concert will take place at the stunningly beautiful Shalin Liu Performance Center in Rockport, Massachusetts on Sunday May 14 at 5:00 pm.

Carnatic music of South India is one of the oldest music systems in the world. Built upon talas (rhythmic cycles) and ragas (melodic scales), the basic transmission of this venerable South Indian tradition is done via face-to-face lessons in which the guru vocalizes first and then demonstrates the lesson.

  

   

Irish tradition has deep roots in Massachusetts. Tunes once played at crossroad dances traveled the ocean in the hearts, hands, and feet of Irish immigrants. Boston in known for its active scene of pub sessions, concerts, competitions, and classes.

  

  

In parts of Mali, West Africa, dance, music, and song are an integral part of everyday life. Birth, death, initiation rites, and marriage are all marked with specific dances and songs. Many musicians and dancers are hereditary artists, meaning they are born into the tradition.

 

The concert will take place at the stunningly beautiful Shalin Liu Performance Center in Rockport, Massachusetts on Sunday May 14 at 5:00 pm.  A perfect outing for Mother’s Day!

Maggie Holtzberg runs the Folk Arts & Heritage Program at the  Massachusetts Cultural Council.

 

Fellows Notes: Shannon Heaton launches “Irish Music Stories” podcast

Shannon Heaton_facing forward_smaller

Shannon Heaton ( MCC Artist Fellow 2016) has just launched the inaugural episode of her podcast, ” Irish Music Stories.”  She takes us from Boston to Chicago to County Clare, Ireland, where we hear from young players and older masters alike. They reflect on the tunes and how they are learned, the excitement of competing in competitions, and the sense of community that is forged through the multi-generational sharing of the music. It’s like a Valentine’s Day gift to Irish traditional music lovers around the world.  Great work Shannon. We look forward to hearing more episodes.

 

The Irish Music World has Lost a Local Legend

Joe Derrane outside his home, 2006. Photo: Tom Pich

We were deeply saddened to learn of Joe Derrane‘s death this past weekend. A brilliant musician who was highly regarded in the world of traditional Irish music, Joe Derrane had a heart of gold.

In 2003, I had the good fortune to sit down at Joe’s kitchen table in Randolph, MA to interview him for our archive. The interview became source material for a radio feature that aired on WUMB in 2003. For those who knew Joe, it may bring some small comfort to hear his voice. For those who never met him or heard him play, you missed a gem.

 

Joe Derrane's button box. Photo: Jason Dowdle

Interested in applying for a Traditional Arts Apprenticeship?

Kieran Jordan and Emerald Rae Dimitrios Klitsas at his workbench Ivelisse Pabon de Landron with apprentice John Kristensen and Jesse Marsolais Karol Lindquist and Timalyne Frazier Qianshen Bai and Mei Hung William Cumpiano with apprentice Isidro Acosta David Hawthorne teaching bowmaking

Apprenticeships are a time-honored method by which an individual learns skills, techniques, and artistry under the guidance of a recognized master. Since its founding in 2001, the Massachusetts Cultural Council’s  Traditional Arts Apprenticeship Program has funded nearly 100 artists in a vast array of traditions, both old and new to Massachusetts. Applications are now available.

Recent apprenticeships funded by MCC’s Folk Arts and Heritage Program include mentorships in Madhubani painting, Irish uilleann piping, urban sign painting and gold leaf, Chinese seal carving and calligraphy, Carnatic singing, and European architectural and ornamental woodcarving, to name a few. The deadline for applying is April 12, 2016.

MCC Awards 2016 Fellows & Finalists in the Traditional Arts

FELLOWS:

Portrait of Shannon Heaton

Shannon Heaton, Irish flute playing, singing, & composition

No matter how well any of us play, our Irish cred lies in
how tightly we can play with others. Irish music is social.

Shannon Heaton is highly regarded in Irish traditional music circles for her beautifully expressing playing, composing, and dedication to teaching and promoting the music. She was fortunate to learn firsthand from musicians in Chicago’s rich traditional Irish music scene and later in repeated trips to County Clare, Ireland. For National Heritage Fellow, Seamus Connolly, Shannon’s playing encapsulates the tradition, “In it I hear so many elements of the old styles, such as the playing of Kevin Henry from County Sligo, Ireland, who lived in Chicago and whose music goes back to another time.”

Shannon co-founded the Boston Celtic Music Festival in 2001, a festival that continues to bring Irish musicians together with other Celtic styles. “Live Ireland,” an Irish music radio show broadcasting from Dublin, nominated Shannon “Female Musician of the Year” twice. In addition to performing regularly, Shannon is a sought after teacher, not only of tunes and technique, but also of the tradition’s social and musical customs, e.g., the importance of session etiquette.

 

Dimitrios Klitsas at his workbench
Dimitrios Klitsas, architectural and ornamental woodcarving

Both students and seasoned wood carvers come from around the country to study with master woodcarver Dimitrios Klitsas in his studio in Hampden. Like the architects and designers who seek out his impeccably carved ornamental work for fine homes and churches, these students are inspired by Dimitrios’s ability to shape slabs of walnut, mahogany, or oak into breathtaking architectural and figurative works. Guided by his deep knowledge of the fundamentals of classical European design, Dimitrios patiently creates carvings that exemplify both his unique talent and his devotion to the tradition of his craft.

Dimitrios began his training in classical carving at age 13 at the Ioannina Technical School near his home in the foothills of northwestern Greece. After graduation, he served a five-year apprenticeship and then ran his own woodcarving shop in Athens for another five years, before coming to Massachusetts nearly four decades ago. His work here has been recognized nationally with commendations including the Arthur Ross Award for Artisanship from the Institute of Classical Architecture and Art. Many of Dimitrios’s students have gone on to professional carving careers, including his son, Spiro.

FINALISTS:

Delft redware by Stephen Earp

Stephen Earp, redware pottery

Stephen Earp works within the redware tradition, the common name for a variety of domestic, leadglazed
pottery made in New England between the 17th and 19th centuries. Originally, redware was produced to meet the daily needs of food storage, preparation, and serving such as plates, platters, and pitchers. On occasion, redware served commemorative and decorative purposes. Stephen has perfected the functional forms and sgrafitto of Colonial redware, and more recently found his way to his own heritage through making Dutch Delftware.

Most of Earp’s pottery is thrown on a wheel that he designed and built. He uses local materials including clay from a family owned pottery in Sheffield, Massachusetts, which mines clay from a local seam. His glazes include locally dug clay, as well as ashes from the hay of a nearby farmer. In 2007, Stephen was included in Early American Life Magazine Directory of Traditional Crafts. Stephen was named an MCC Finalist in the Traditional Arts category in 2008. He writes an engaging and informative blog, This Day in Potter History.

Soumya Rajaram

Soumya Rajaram, Bharatanatyam dancer

Soumya Rajaram performs and teaches Bharatanatyam dance, a South Indian classical tradition with strong spiritual connections to Hindu religion and mythology. Although originally a hereditary tradition, the teaching of Bharatanatyam has become institutionalized. Indeed, Soumya came up within a deep lineage of dance teachers trained at the Kalakshetra Foundation in Chennai, India. In addition to her years of dedicated training in the technique and expressive elements of Bharatanatyam, she has extensive training in Carnatic music, which is integral to Bharatanatyam dance.

Known for her exacting standards, Soumya is skilled in nritta (abstract dance) and abhinaya (emotive aspect). She performs regularly at festivals and concerts and is thought of highly by senior dance teachers who first brought Bharatanatyam to southern New England. Soumya is an active contributor to the India arts community in Greater Boston. She continues to enhance her learning under the mentorship of Sheejith Krishna, spending a few months a year at his studio and home in Chennai.

Lutchinha

Maria Neves Leite, Cape Verdean singer

Known in the performing world as  “Lutchinha,” Maria Neves Leite is a singer of Cape Verdean songs. She was born into a singing family on the island of Sao Vicente, Cape Verde Islands, part of an archipelago off the coast of West Africa. She began singing at age seven, first with her father and later with family friends who would come to the house. Luchinha’s first solo CD Castanhinha bears the title of a mourna that her father wrote for her mother. She went on to become one of the winners at the Todo Munco Canta singing competition, representing her island of Sao Vicente. Engagements in the Soviet Union and in Portugal soon followed.

Lutchinha enjoyed a successful performing career in Europe before she joined her parents in immigrating to the United States. The family settled in Brockton. Lutchinha sang out in the local region, performing for Cape Verdean weddings, Noite Caboverdiana, and other community events. Her repertoire continued to draw from the deep well of traditional Cape Verdean song including the morna, coladeira, batuku,and funana Only recently, with her own children grown, Lutchina has returned to performing outside of the Cape Verdean community, including appearances at major festivals like the 2014 American Folk Festival in Bangor, ME. and the 2015 National Folk Festival in Greensboro, NC where she was backed by an all-star band of Cape Verdean musicians from Massachusetts and Rhode Island.

  Textile with hole to be repaired Invisible reweaving

Toni Columbo, invisible reweaving

When is a traditional art at its best when it can’t be seen? Toni Columbo excels at invisible reweaving, French weaving, over weaving, and reknitting; all are traditional ways of repairing holes and damages by hand as imperceptibly as possible in woven and knitted fabrics. Threads or a frayed piece of fabric are harvested from an inconspicuous spot on a jacket, pants, coat, or sweater, and rewoven thread by thread, into the damaged area, rendering it virtually invisible.

Toni learned needle arts from her mother, who in turn, learned from her mother. Toni was born and raised in Boston’s North End, and she maintains a vital connection to this Italian American community. She is highly regarded by customers and by high end retail stores for her excellent skill in mending cherished items of clothing. Using the skills passed down through her family, Toni repairs and restores suits, sweaters, coats, couches, tapestries, and uniforms (including Babe Ruth’s 1926 New York Yankees baseball jersey). In addition to working on heirlooms, Toni keeps up with the new weaves and fibers used in today’s textiles. To work on these micro fabrics, some containing between 100-125 threads per inch, Toni uses a high powered surgeon’s loupe.

Seamus Connolly named National Heritage Fellow

We are delighted to share the exciting news that Irish-born and longtime Massachusetts resident  Séamus Connolly has been named a National Heritage Fellow by the National Endowment for the Arts. Though he recently moved to Yarmouth, Maine, we still like to claim him as one of our own.

In drafting his nomination letter, Irish music journalist Earle Hitchner writes, “I can think of no Irish traditional musician more qualified and deserving than Séamus Connolly for a National Heritage Fellowship from the National Endowment for the Arts. His achievements as an Irish traditional fidder, music school organizer, and music teacher are long and lustrous. . . First and foremost is his fiddling, a combination of virtuosity and vitality that stamps his style of playing as original, unique, and highly influential . . . Every time he picks up the fiddle — whether on stage, in a recording studio, in a class, or in an informal session —  Séamus both preserves and advances the Irish tradition. His zeal and love for this music are as ardent now as they were when he was a boy in Ireland, and the body of art and work he has created is exceptional and formidable.”

Séamus Connolly grew up in a home filled with music in Kilaloe, County Clare, Ireland. He won his first All-Ireland National Fiddle Championship only ten months after initially picking up the fiddle and it wasn’t long before he gained national prominence. He joined the famous Kilfenora Ceili Band, traveling throughout Ireland and Britain playing for dances, concerts, and radio broadcasts and television programs.

Séamus came to the United States in 1972 as a member of the first Comhaltas Ceoltóirí Eireann (CCE) tour, an ensemble of 26 musicians, singers and dancers. He then returned in 1976 and settled in the Boston area. At the request of the Boston branch of CCE, Séamus agreed to teach and pass on to American-born students the various regional styles of Irish fiddling.

Séamus directed the highly acclaimed Gaelic Roots Summer School and Festival at Boston College from 1993 – 2003. In 2004, Boston College named Connolly the “Sullivan Artist in Residence.” He also coordinates a Gaelic Roots Series of free concerts and lectures by visiting artists throughout the academic year. In 1990 and 2004, he was awarded a Fellowship in Traditional Arts by the Massachusetts Cultural Council;  he was also awarded three Master/Apprenticeship Grants for teaching traditional Irish music.

Séamus often performed and recorded with two stellar musicians —  Irish button accordion player   Joe Derrane, who won a National Heritage Fellowship in 2004, and guitarist John McGann, a gifted guitarist and mandolin player, who passed away unexpectedly in 2012.

Indeed, it has been a momentous year for  Séamus — On May 11, 2013, he was awarded another highly prestigious prize: the Ellis Island Medal of  Honor, given by the National Ethnic Coalition of Organizations to American citizens for their outstanding contributions to the United States. An exhibition titled ” the Musical Roots of Seamus Connolly” recently ran at Boston College’s Burns Library.

We are so very proud of you  Séamus.

 

Traditional Arts Fellows and Finalists, a Diverse Group

Every other year, the Massachusetts Cultural Council awards  Artist Fellowships in the traditional arts, recognizing individuals for their artistic excellence, authenticity, and deep roots in traditional culture. Among the awardees this year is Irish-American button-accordion player Joe Derrane (Randolph, MA), who is also a National Heritage Fellow.
JOE DERRANE, Irish American accordion player

Joe Derrane is a living legend in the Irish traditional music community. Born in  Boston to Irish immigrant parents, Derrane developed an early affinity for the button accordion and Irish traditional music. At age 14, he was playing regularly in the ballroom dance scene that was booming in the Dudley Street section of Roxbury. At age 17, Derrane recorded the first in a series of 78-rpm recordings, which have since become legendary in the Irish music world. Decades later, Derrane’s musicianship is marked by his unique ornamentation, vigor, and flawless execution.  In addition to his virtuosity on the button box, Derrane is known for his tune compositions, many of which have entered the repertoire of Irish musicians on both sides of the Atlantic.

____________________________________________________________

YARY LIVAN, Cambodian ceramicist

An MCC Artist Fellowship also went to  Yary Livan (Lowell, MA), master of traditional Cambodian ceramics and kiln building. His work draws on the rich heritage of Cambodian culture, including influences from ancient imperial Khmer kiln sites, such as Angkor Wat, and incorporates Khmer imagery, relief carving, and design. Livan recently served as master artist in MCC’s Traditional Arts Apprenticeship Program, passing on what he knows of kbach, the basic element of design in Khmer art, to apprentice Samnang Khoeun. The two are building a smokeless wood-burning kiln on the grounds of Lowell National Historical Park.

__________________________________________________________

In addition to these two Artist Fellowships in the Traditional Arts, four Finalist awards were announced.

VERÓNICA ROBLES, Mariachi musician

Verónica Robles has Mariachi music in her blood. “I first learned the traditoinal music of my home country, Mexicao, from my grandmother, whom I would spend hours with in the kitchen as she prepared dishes such as chicharron prensado, con calabazas, elote y nopales.  .  . ” It was in Mexico City’s Plaza Garibaldi, the cradle of Mariachi music, where Verónica was introduced to the Mariachi group led by El Chiquis. She began working with his group at age 15, learning hundreds of songs and musical styles. Robles has made Massachusetts home since 2000, where she specializes in performing for young audiences through school assembles, residencies and dance workshops. Her television show, Orale con Verónica, has been on the air since 2002.

________________________________________________________

KHENPO CHOPEL, Tibetan torma maker

Khenpo Chopel was born in Tibet and became a monk at the age of 14. Holding the title of “khenpo” (a spiritual degree given after three years of intensive study in Tibetan Buddhism), Chopel is a master torma  maker and tantric practitioner.  Tormas (pictured above) are a traditional art form essential for everyday practice in Tibetan Buddhist monasteries and households. These ritual forms — in conical shapes of bright colors — are made both as an offering to a deity and as a representation of a deity.  Since 2009, Chopel has been living at the Drikung Meditation Center in Arlington, Massachusetts, where he serves as a master torma-maker and tantric practitioner.

________________________________________________________

JORGE ARCE, Afro Caribbean percussionist and educator

Jorge Arce grew up in the Bélgica, a working class neighborhood of Ponce, Puerto Rico. Ponce is known as the wellspring of bomba, plena, and danza, traditional Afro Caribbean styles of music and dance. Born into a family of dancers and singers, Arce grew up with Plena folk groups and musicians.  Arce credits Don Rafael Cepda and family with expanding his knowledge of bomba. In addition to his life-long work in Bomba and Plena, Arce is an experienced actor, dancer, and cultural historian. He is considered an expert on the history of Puerto Rican’s African people and their descendants. Touring the United States since 1975 as a musician and educator, Arce continues to give workshops, lectures, residencies and performances at schools, festivals, and community organizations.

________________________________________________________

DANNY MEKONNEN, Ethiopian American musician

By the time he was an accomplished saxophonist, Danny Mekonnen sought out master Ethiopian musicians to learn to play the traditional instruments of his Ethiopian heritage. In 2006, Mekonnen founded Debo Band, an Ethiopian music collective melding traditional East African polyrhythms, American soul and funk, and the layered instrumentation of Eastern European brass bands, to form a sound that is a jubilant reinvention of music that once rocked Ethiopia’s capital, Addis Ababa. He also performs for events within the Ethiopian community, such as weddings and adoption community gatherings for American parents of Ethiopian children.

Joe Derrane to be feted at Boston College

Boston-born button accordionist and composer Joe Derrane is a living legend of Irish music.  We’re delighted that he will be celebrated at Boston College in a lecture/concert titled, “The Genius and Growing Impact of Joe Derrane.” The program will take place in Gasson Hall, on September 22 from 7-9pm. Featured presenters are Wall Street Journal and Irish Echo music writer Earle Hitchner and Berklee College of Music professor John McGann. Derrane will provide commentary. A live performance will feature fiddler Seamus Connolly and multi-instrumentalist John McGann.

Don’t miss this evening honoring one of our country’s National Heritage Fellows. Learn More.

Free Traditional Irish Dance & Music Performance on June 4

 

Traditional Irish dance and fiddle music will fill the Merrimack Repertory Theatre on June 4 in a program sponsored by Lowell National Historical Park.

Fiddle player Laurel Martin and step dancers Kieran Jordan and Kevin Doyle are all recipients of 2010 MCC Traditional Arts Apprenticeship grants. These publically-funded grants allowed these artists to provide a year of one-on-one teaching to talented apprentices Natayla Kay Trudeau, Emerald Rae, and Nicole Leblanc.

This free concert presents a unique opportunity for collaboration, as teachers and students come together to present the results of their apprenticeships and insight into their teaching methods.

Come join us for an exciting evening of solo, duet, and group performances revealing the history and shared languages which these artists express, preserve, and pass on.

Place: Merrimack Repertory Theatre, 50 E. Merrimack Street, downtown Lowell

Time: 8:00 p.m.

No tickets required. For more details:  click here

Event presented by Lowell National Historical Park and funded in part by the National Endowment for the Arts, the Massachusetts Cultural Council, and the Southern New England Traditional Arts Apprenticeship Program.