{"id":4659,"date":"2014-10-24T13:37:30","date_gmt":"2014-10-24T18:37:30","guid":{"rendered":"https:\/\/blog.massfolkarts.org\/blog\/?p=4659"},"modified":"2014-10-24T13:37:30","modified_gmt":"2014-10-24T18:37:30","slug":"the-public-folklorist-and-the-nature-of-aging-a-personal-take","status":"publish","type":"post","link":"https:\/\/blog.massfolkarts.org\/index.php\/2014\/10\/the-public-folklorist-and-the-nature-of-aging-a-personal-take\/","title":{"rendered":"The Public Folklorist and the Nature of Aging: A Personal Take"},"content":{"rendered":"<figure id=\"attachment_4662\" aria-describedby=\"caption-attachment-4662\" style=\"width: 605px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/10\/Aging_recording_gandydancers.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-4662 \" alt=\"Retired gandy dancers being recorded by Maggie Holtzberg, Calera, Alabama, 1988. Photo by Joey Brackner\" src=\"https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/10\/Aging_recording_gandydancers.jpg\" width=\"605\" height=\"431\" \/><\/a><figcaption id=\"caption-attachment-4662\" class=\"wp-caption-text\"><em>Retired gandy dancers being recorded by Maggie Holtzberg, Calera, Alabama. Photo by Joey Brackner<\/em><\/figcaption><\/figure>\n<p>There was a time in the late 1980s, when, as a newly minted folklorist, all the tradition bearers I\u2019d seek out to interview and learn from were decades older than I was &#8212; Southern gandy dancers in their 70s and 80s, holding on to the last thread of work song culture; women quilters whose mothers had taught them to recycle old feed sacks and scraps from worn-out dresses; and Irish fiddlers whose venues had changed from crossroads dance halls in Co. Kerry to bars in New York City. These folks were the age of my own grandparents.<\/p>\n<figure id=\"attachment_4664\" aria-describedby=\"caption-attachment-4664\" style=\"width: 248px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4664\" alt=\"Nellie Kinsey holding a string of leather britches and red peppers, Kinsey Town,  White County, GA, 1989. Photo by Maggie Holtzberg\" src=\"https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/10\/Aging_NellieKinsey.jpg\" width=\"248\" height=\"355\" srcset=\"https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/10\/Aging_NellieKinsey.jpg 248w, https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/10\/Aging_NellieKinsey-209x300.jpg 209w\" sizes=\"auto, (max-width: 248px) 85vw, 248px\" \/><figcaption id=\"caption-attachment-4664\" class=\"wp-caption-text\"><em>Nellie Kinsey holding a string of leather britches and red peppers, Kinsey Town, White County, GA, 1989. Photo by Maggie Holtzberg<\/em><\/figcaption><\/figure>\n<p>Time passed. Contract fieldwork turned into salaried positions at state art agencies. I relocated from the Deep South back home to the Northeast and dug into the folk culture of Massachusetts\u2019 people \u2013 Italian feast days, Yankee wooden boat building, Franco-American\u00a0 and Cape Breton fiddling, Polish <i>pysanki <\/i>and Cambodian dance.<\/p>\n<figure id=\"attachment_4666\" aria-describedby=\"caption-attachment-4666\" style=\"width: 450px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4666\" alt=\"Procession of St. Mary of Carmen, Nonantum. MA. 2007. Photo by Maggie Holtzberg\" src=\"https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/10\/Aging_Italian_feastday.jpg\" width=\"450\" height=\"299\" srcset=\"https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/10\/Aging_Italian_feastday.jpg 450w, https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/10\/Aging_Italian_feastday-300x199.jpg 300w\" sizes=\"auto, (max-width: 450px) 85vw, 450px\" \/><figcaption id=\"caption-attachment-4666\" class=\"wp-caption-text\"><em>Procession of St. Mary of Carmen, Nonantum. MA. 2007. Photo by Maggie Holtzberg<\/em><\/figcaption><\/figure>\n<p>Eight or so years into the work, I began to notice that there were no longer decades of lived experience between the majority of the people I was interviewing and myself.\u00a0 We were, in fact, cohorts in age.<\/p>\n<figure id=\"attachment_4668\" aria-describedby=\"caption-attachment-4668\" style=\"width: 450px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4668\" alt=\"Maggie interviewing Michelle Fernandes and Anita Peters Little about their apprenticeship in Wampanoag regalia making. West Barmstable, MA, 2005. Photo by Russell A. Call\" src=\"https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/10\/Aging_Wampanoag_regalia.jpg\" width=\"450\" height=\"299\" srcset=\"https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/10\/Aging_Wampanoag_regalia.jpg 450w, https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/10\/Aging_Wampanoag_regalia-300x199.jpg 300w\" sizes=\"auto, (max-width: 450px) 85vw, 450px\" \/><figcaption id=\"caption-attachment-4668\" class=\"wp-caption-text\"><em>Maggie interviewing Michelle Fernandes and Anita Peters Little about their apprenticeship in Wampanoag regalia making. West Barmstable, MA, 2005. Photo by Russell A. Call<\/em><\/figcaption><\/figure>\n<p>It\u2019s now been 15 years since I came to manage the Massachusetts Cultural Council&#8217;s  <a href=\"http:\/\/www.massfolkarts.org\/heritage_program.asp\" target=\"_blank\">Folk Arts &amp; Heritage Program<\/a>.\u00a0 A few months ago, I was sitting across from a  <a href=\"https:\/\/blog.massfolkarts.org\/index.php\/2014\/09\/the-price-and-promise-of-leaving-home\/\" target=\"_blank\">Nepalese <em>sarangi<\/em> player<\/a>, a Tascam DR100 recording device in my hand, listening to him talk of his experience immigrating to the US. There were photos of his young daughter on the wall. It was after I asked him the year he was born that I suddenly realized; \u201cThis man is 20 years younger than I am. In fact, so are the last three people I interviewed.\u201d<\/p>\n<figure id=\"attachment_4571\" aria-describedby=\"caption-attachment-4571\" style=\"width: 262px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/09\/Sushil_posing_sarangee.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-4571\" alt=\"Sushil Gautam posing with Nepalese sarangi. Photo by Maggie Holtzberg\" src=\"https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/09\/Sushil_posing_sarangee.jpg\" width=\"262\" height=\"394\" srcset=\"https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/09\/Sushil_posing_sarangee.jpg 262w, https:\/\/blog.massfolkarts.org\/wp-content\/uploads\/2014\/09\/Sushil_posing_sarangee-199x300.jpg 199w\" sizes=\"auto, (max-width: 262px) 85vw, 262px\" \/><\/a><figcaption id=\"caption-attachment-4571\" class=\"wp-caption-text\"><em>Sushil Gautam posing with Nepalese sarangi, 2014. Photo by Maggie Holtzberg<\/em><\/figcaption><\/figure>\n<p>The arc of any folklorist\u2019s work experience is grounded in time. I\u2019ve gone from being the youngster interviewing elders, to interviewing people of my generation, to the odd sensation of realizing that I am older than many of the people with whom I work. I suppose it is the opposite experience of academic folklorists who, each fall semester, find themselves in classrooms filled with students who never seem to age.<\/p>\n<p>Either way, we all grow older.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There was a time in the late 1980s, when, as a newly minted folklorist, all the tradition bearers I\u2019d seek out to interview and learn from were decades older than I was &#8212; Southern gandy dancers in their 70s and 80s, holding on to the last thread of work song culture; women quilters whose mothers &hellip; <a href=\"https:\/\/blog.massfolkarts.org\/index.php\/2014\/10\/the-public-folklorist-and-the-nature-of-aging-a-personal-take\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;The Public Folklorist and the Nature of Aging: A Personal Take&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[200],"tags":[],"class_list":["post-4659","post","type-post","status-publish","format-standard","hentry","category-issues"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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