. . . you have the opportunity to hire a professional film crew and still photographer to capture master musicians and dancers performing in a beautiful venue. Videos by Blake Road Productions and stills by Brendan Mercure.
Join us this Saturday evening for a free concert of Irish and African music featuring two remarkable female vocalists — Aoife Clancy and Adjaratou Tapani Demba. This concert will take place on Saturday March 19, 2011 in the sanctuary of St. Anne’s Episcopal Church in downtown Lowell.
Aoife Clancy brings a refreshing new voice to traditional Irish songs, ballads, and recitations. Originally from County Tipperary, Ireland, Aoife was brought up in a family steeped in music and poetry, which her father Bobby Clancy passed down to her. She is a former member of the popular “Cherish the Ladies,” one of the most sought-after Irish American groups in history. Now with seven recordings under her belt in the last decade, Aoife has clearly established herself as one of the divas of Irish folk music. Accompanying herself on the Irish bodhran (drum), Aoife will be joined by Shannon Heaton on flute and All-Ireland champion stepdancer Jaclyn O’Riley.
Adjaratou Tapani Demba brings us the West African traditional art of praise singing. In her native Mali, she is known as a djeli – a kind of oral historian, peacemaker, and performer who is born into the responsibility of keeping alive and celebrating the history of the Mandé people of Mali, Guinea, and other West African countries. In addition to concerts, Tapani performs at weddings, baptisms, and other domestic ceremonies within the West African immigrant communities of Boston, New York City, and beyond. She will be accompanied by Balla Kouyaté on balaphon (forerunner of the xylophone) and Moussa Diabaté on ngoni (forerunner of the banjo).
The evening’s singing, music, and dance pay tribute to the rich musical heritage of Lowell’s Irish and African communities. The program is part of the recently launched Lowell Folklife Series sponsored by Lowell National Historical Park.
At first glance, this year’s two fellowships in the traditional arts seem a study in contrasts. One represents an age-old Yankee craft; the other, an ancient West African musical tradition. Yet wooden boat builder Harold A. Burnham and Malian balaphon player Balla Kouyaté share something in common. Each individual is carrying on a traditional art form passed on through his own family lineage. Harold A. Burnham’s boat building ancestors arrived in Essex, Massachusetts nearly 400 years ago. Balla Kouyaté, who came to the United States just a decade ago, was born into a musical family whose artistic lineage dates back 800 years. And their traditions are stronger for it.
In addition to performing in concert halls and clubs, Balla is ever present playing at weddings, baptisms, and other domestic ceremonies within the West African immigrant communities of Boston, New York City, and beyond. As for Harold Burnham, he has essentially revived a once dormant shipbuilding technique, and in doing so, has reconnected a town to its own shipbuilding heritage. More than a revivalist serving a small market of weathy buyers who romanticize the past, he is an innovative craftsman working fully within the local wooden boatbuilding tradition.
The MCC has also granted finalist awards in the traditional arts to the following individuals:
Sunanda Sahay specializes in a style of folk painting originating in the Madhubani region of North India.
Sophia Bilides is a master performer of Smyneika, a heartfelt and highly ornamented singing style of Greek Asia Minor heritage.
Ivelisse Pabon de Landron makes traditional Puerto Rican black dolls as a way of honoring her ancestors — Puerto Rican women of African descent and their contribution to cultural history.